This weeks reading, “Integrating Disability, Transforming
Feminist Theory,” and movie, “Frida,” focused on the aspect of disability. The
reading discussed the similarities between disability and feminism. In society,
women are seen as inferior and so are the disabled. They’re both seen as “not
normal.” Women are even often sometimes considered “disabled” due to their
gender. Towards the beginning of the article, Rosemarie Garland-Thomson
mentions that “disability studies can benefit from feminist theory and feminist
theory can benefit from disability studies.”
The
premise of the feminist disability theory is that “disability, like femaleness,
is not a natural state of corporeal inferiority, inadequacy, excess, or a
stroke of misfortune.” In simpler terms, the premise of the theory basically
states that being a woman or being disabled is not a misfortune. Everyone is
different and we need to learn to live with who we are and embrace our unique
qualities. Aristotle actually defined women as “mutilated males.” I think this
statement is harsh and extremely untrue. As a woman, I don’t understand why we
are always compared to men. The article also states that, “women and the
disabled are portrayed as helpless, dependent, weak, vulnerable and incapable
bodies.” I also find this portrayal to be completely inaccurate. When I think
of women and the disabled, I think of adjectives such as strong and powerful.
For example, later in the article, Garland-Thomson focuses on Aimee Mullins.
Mullins is a fashion model, celebrity, champion runner, a Georgetown University
student and a double amputee. Mullins is a woman and she is
disabled and I would never consider her to be weak, helpless and incapable. In
fact, I would consider her to be the complete opposite. I believe she is an
inspiration to many due to her determination, strength and perseverance. Another
example that really stuck out to me was the woman who had to get one breast
removed due to breast cancer. How could anyone in society say that she is weak
and helpless? Fighting a battle such as cancer is an extremely difficult
process and I believe that anyone who deals with something of that sort should
be considered extremely strong. These examples prove that both women and the
disabled are not inferior.
The
article also focuses on the appearance and the desire to produce unmarked
bodies. Garland-Thomson admits, “what is imagined as excess body fat, the
effects of aging, marks of ethnicity such as supposedly Jewish noses, bodily
particularities thought of as blemishes or deformities and marks of history
such as scaring and impairments are now expected to be surgically erased to
produce an unmarked body.” These
efforts are done in order to look “normal” and “not disabled.” However, like I
mentioned earlier, we should embrace these qualities. It’s very rare to see a
man getting a nose job or removing body fat, so why is that necessary for
women? She mentions that the women and the disabled should be able to use
medicine to improve their lives and their bodies to function more fully.
However, it’s unnecessary to just change a body part because it doesn’t look
“normal.” What really is considered to be “normal?”
In
the movie, “Frida,” Frida Kahlo is a woman and disabled. Similar to the
reading, the movie focuses on the idea that women and the disabled are not
inferior. When she was a teenager, Kahlo was in an accident that resulted in
lifelong health problems. However, these health problems actually influenced
Kahlo’s artwork for the better. The movie showed Kahlo right after her accident
in a full body cast. Despite her lover Alex leaving for Paris and the
excruciating pain due to the accident, Kahlo painted bright butterflies all
over her cast. I think this shows her strength and optimism even in a time of
sadness and pain. The brightly colored butterflies are full of life; Kahlo is
determined to feel that way again as well. Once her cast was filled with
artwork, her father got her a canvas. Kahlo began to paint daily. Since Kahlo
was so isolated in the beginning because of her injuries, she began painting
self-portraits. Despite the isolation, she displayed strength by continuing to
create artwork. She then asked the muralist, Diego, for advice in order to
improve her art. Later on in the movie, Trotsky admitted that he loved Kahlo’s
work because of what it expressed. Her paintings expressed what everyone feels
in life at some point: alone and in pain. Similar to the woman with breast
cancer and the double amputee, Kahlo was determined and strong. These examples
prove that women and the disabled should not be considered inferior.